A further study and detail classification are aimed at rhyme and rhyme schemes supported by verse-lines and stanzas from masterpieces.
該文對英詩的音步、詩行、(詩)節(jié)的內(nèi)涵作了全面的介紹,對音步的種類和格律用實(shí)例作了精確的研究和分析,對英詩的押韻規(guī)則作了詳細(xì)的歸類,并以名詩名段輔以佐證。
The Integration of Ancient Chinese Poetry and Painting;
中國古代詩與畫的結(jié)合之路——繪畫之詩性獲得過程
‘Transience’ in poems and pictures;
詩、畫表現(xiàn)中的“一頃刻”
Genuineness results from simplicity: brief discussion on the simplicity and genuineness of Tao yuanming s poems;
平淡出真知——小釋陶淵明詩的平淡自然
On the Position of Classical Poems in Ancient History——A Brief Account on the Position of poems;
古典時(shí)期“詩”之文化定位論略
Different understanding and expression of human beings in different ancient Chinese poems and ci;
從倫理到世俗——中國古代詩詞對人的認(rèn)識(shí)和表現(xiàn)的不同
Query on the Annotation of Su Shi s Famous Poems by Mr. Chen Er-dong & Jin Xing-yao;
陳邇冬、金性堯先生蘇詩名篇注釋質(zhì)疑
On the "Mo" primers "Poems" several "Poetry" study on the "poetry".
《墨子》引《詩》論《詩》數(shù)次,考察其對《詩》、《書》以及對《詩》不同部分的選擇,可管窺《墨子》的《詩》學(xué)觀。
"Mozi"greatly borrows from"Poems" which are familiar to everybody to expound its own viewpoints for the support of its own rhyme theory.
《墨子》大量引《詩》來闡明自己的觀點(diǎn),為其理論提供支撐。
The Compilation and Spread of The Book of Songs Before Confucius;
孔子之前《詩》的編撰與流傳
The Rhetorical Implication in Zhuxi s Study of The Book of Songs;
朱熹《詩》學(xué)理解修辭深刻意蘊(yùn)探析
The Ideological Speech Construction and Renewal on the Book of Songs and the Spring and Autumn;
《詩》亡然后《春秋》作——意識(shí)形態(tài)真理話語的建構(gòu)與更新