Review of Experimental Study on Self-energy Consumption Abroad;
國(guó)外自我能量消耗實(shí)驗(yàn)研究綜述
The mirror image of the self:facing a dilemma where self-construction and self-destruction coexist;
“自我”的鏡像:徘徊于建構(gòu)與解構(gòu)之間——20世紀(jì)末中國(guó)女性寫作批判
It displays the solitariness motif through the relationship between the women figure and opposite sex,the same sex and the self.
陳染小說(shuō)以帶有強(qiáng)烈女性主義色彩的話語(yǔ)方式塑造了一系列女性主體形象,通過(guò)這類形象與異性、同性及自我的關(guān)系來(lái)呈現(xiàn)"孤獨(dú)"這一母題。
Based on the Theory of Mirror,Lacan divided the relations between the selfs and the self and the others into three fields:the field of imagination,the fields of sybol and the field of reality,and thus concluded that the self is a truth rsulted from other s intervention and later alienation and split.
由此,我們發(fā)現(xiàn)現(xiàn)代課堂的問(wèn)題是,來(lái)自于強(qiáng)迫性的"他者"行為阻斷了主體尋找真我的途徑:學(xué)生喪失了話語(yǔ)權(quán)無(wú)法說(shuō)自己的話;喪失了自主性無(wú)法自主生活;被剝奪了時(shí)間與空間而無(wú)法自我創(chuàng)造。
The Difficulties of Actor s Innovation——The relation between the selfhood and the role;
演員創(chuàng)作的難點(diǎn)——自我與角色的關(guān)系
New Feminie: Rejection and Overthrow-An Exploration on "Love and Selfhood" in Modern Literature;
新女性：拒絕和顛覆—現(xiàn)代文學(xué)"愛(ài)情與自我"主題的探詢
On Textual Research of Virtual Ego in Classical Culture in China;
中國(guó)傳統(tǒng)文化對(duì)自我虛擬性存在的考證
From the Relationships of Id,Ego and Superego to the Relationships of Anna,Vronsky and Karenin;
自我、本我和超我的人格結(jié)構(gòu)——評(píng)安娜、渥倫斯基和卡列寧的三角關(guān)系
On Virtual Ego in Consciousness Space;
主觀思維空間中的虛擬自我
Finging oneself——A remark of three youngmen s spirit course in Xie Ma Village;
自我的尋找——簡(jiǎn)析《歇馬山莊》里三個(gè)年輕人的心路歷程
Jane Austen s love novels reflect comprehension of oneself, which is a rational choice based on the demands of "others".
簡(jiǎn)·奧斯丁小說(shuō)兩性之愛(ài)的描寫,實(shí)際上體現(xiàn)著對(duì)自我的理解。
Fee Wish’s special foundation and core that knowledge study is “oneself ”.
費(fèi)希特知識(shí)學(xué)的基礎(chǔ)和核心是“自我”,費(fèi)希特知識(shí)學(xué)就其特點(diǎn)來(lái)說(shuō)是主觀唯心主義的;費(fèi)希特對(duì)自我積極實(shí)踐性的頌揚(yáng)反映了時(shí)代的呼聲,肯定了實(shí)踐的作用,盡管其強(qiáng)調(diào)實(shí)踐是認(rèn)識(shí)領(lǐng)域內(nèi)的實(shí)踐,還是為哲學(xué)發(fā)展起了推動(dòng)作用。
On the Construction of Female/Individual "Ego";
女性/個(gè)體“自我”的建構(gòu)
Only when the "id","ego" and "superego" balances with one another can a person s personality be developed well and be sublimated.
同時(shí),他在盡力維護(hù)他的“自我”。
On the Concept of "Self" in Shimazaki Toson s Private Novels;
試論島崎藤村私小說(shuō)中的“自我”
The private novels can not exist without the concept of“self”, which is their nuclear.
私小說(shuō)離不開(kāi)“自我” ,“自我”是私小說(shuō)的核心所在。